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<channel>
	<title>Atavism</title>
	<atom:link href="http://arthurleocolemaniv.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://arthurleocolemaniv.com</link>
	<description>The writings of Arturo Leo Coleman IV</description>
	<lastBuildDate>Tue, 07 Sep 2010 18:22:24 +0000</lastBuildDate>
	
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Egyptian Musk</title>
		<link>http://arthurleocolemaniv.com/2010/09/egyptian-musk/</link>
		<comments>http://arthurleocolemaniv.com/2010/09/egyptian-musk/#comments</comments>
		<pubDate>Tue, 07 Sep 2010 18:05:51 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1736</guid>
		<description><![CDATA[We are all equi
libria thriving through a
channel charged by
opposite polarities
seawaves both having bro
ken and receding in
to ripples pasts
which could never
not have happened
however the event
the pulse of the uni
verse&#8217;s expansion a
nother hour yet
where we
ve come ex
pecting nothing but
arrival. Stop.
Nuptial bells ech
cho back
ward and clang with the
dirges for the living
death of youth
finger bones reach
throughpast millenia
ash to crumble
like [...]]]></description>
			<content:encoded><![CDATA[<p>We are all equi<br />
libria thriving through a<br />
channel charged by<br />
opposite polarities<br />
seawaves both having bro<br />
ken and receding in<br />
to ripples pasts<br />
which could never<br />
not have happened<br />
however the event<br />
the pulse of the uni<br />
verse&#8217;s expansion a<br />
nother hour yet<br />
where we<br />
ve come ex<br />
pecting nothing but<br />
arrival. Stop.<br />
Nuptial bells ech<br />
cho back<br />
ward and clang with the<br />
dirges for the living<br />
death of youth<br />
finger bones reach<br />
throughpast millenia<br />
ash to crumble<br />
like flesh once did<br />
minutes post mortem.<br />
This day afterlife<br />
page in the book of the dead<br />
we choose gold<br />
pharaohs to enshrine<br />
our idols and sepulcher<br />
ourselves in and pul<br />
verized crystal chips to trans<br />
mit stor(i)es of information<br />
and instantaneously al<br />
locate funds false<br />
fiat for base metal<br />
while the alchemist<br />
in poverty simply sketches<br />
>>>>> in flight<br />
for his re<br />
cip(h)e(r) book<br />
in the silicon<br />
palace garden<br />
peak of an in<br />
visible promontery.<br />
Glass holds the peri<br />
pheral gaze of the un<br />
destructive sun<br />
the purple pinking gloam<br />
as it goes as blue as blood<br />
from the red filtered yellow<br />
derivative of brilliant<br />
white which being<br />
pure could not but<br />
reflect forth infinitely<br />
as now<br />
hunger to walk and eat.<br />
The heliocraft has<br />
sunk completely<br />
tunneled through the<br />
hole in the bedded hull<br />
of the underworld<br />
to shine in nonphenomeno<br />
logical conceptions of to<br />
morrow the sight<br />
we must re<br />
cast in the sun<br />
baked mold cold al<br />
ready face to<br />
inner mask<br />
synthesis of undertow<br />
and surface ocean<br />
the sky and the out<br />
skirts of inter<br />
stellar space.<br />
Father Cro<br />
nus pictured hims<br />
elf as he con<br />
ceived you in<br />
mystic visualization<br />
his rival and overthro<br />
wer while mother<br />
Gaia shut out the pri<br />
mordial dark to con<br />
centrate inward<br />
her gushing prima<br />
vera then sur<br />
veyed in slum<br />
ber the archi<br />
tecture of heaven<br />
balustrades of vagu<br />
est reference to an<br />
exponential good<br />
being one no nothing<br />
dwelling in the me<br />
dium in the center<br />
in the cycle of the life<br />
flow top and bot<br />
tom both of food<br />
chains that tie<br />
only trees roots.<br />
Yin swirls yang<br />
and vice versa<br />
swims with<br />
in displace<br />
ment spilling<br />
density everywhere.</p>


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]]></content:encoded>
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		<item>
		<title>Autobio (Chapter New York Everywhere)</title>
		<link>http://arthurleocolemaniv.com/2010/09/autobio-chapter-new-york-everywhere/</link>
		<comments>http://arthurleocolemaniv.com/2010/09/autobio-chapter-new-york-everywhere/#comments</comments>
		<pubDate>Mon, 06 Sep 2010 22:38:45 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1728</guid>
		<description><![CDATA[In my East
Village grotto
I up
turned any two
I hap
penned to anticipate:
three except a spade.
And rolled dice a
round the drain
the same
number six this
time of six-sided dice.
A message was [Pro]
being communicated;
my mistake was to inter
pret it as directing my
going out the gate to East
Village Books ban
ging on the window closed
avid to purchase Nostradamus
in the original French:
the falcon and [...]]]></description>
			<content:encoded><![CDATA[<p>In my East<br />
Village grotto<br />
I up<br />
turned any two<br />
I hap<br />
penned to anticipate:<br />
three except a spade.<br />
And rolled dice a<br />
round the drain<br />
the same<br />
number six this<br />
time of six-sided dice.<br />
A message was [Pro]<br />
being communicated;<br />
my mistake was to inter<br />
pret it as directing my<br />
going out the gate to East<br />
Village Books ban<br />
ging on the window closed<br />
avid to purchase Nostradamus<br />
in the original French:<br />
the falcon and the tower<br />
the fountain in the rock<br />
New York everywhere<br />
against the facial stream<br />
they&#8217;d drift asking every<br />
one for prophecies<br />
after Nine Eleven.<br />
Scootering through mid<br />
town I resulted<br />
at night in Times Square<br />
where underneath a vacant<br />
marquee pulled<br />
the illustrated Blake<br />
out my found aband<br />
oned ratty bag and<br />
a flute I could not even<br />
blow in correctly<br />
tootled an opening<br />
to tourist passersby<br />
to my impromptu recital:<br />
Albion smitten<br />
by the thunderer&#8217;s arrow<br />
and in the ashes of the un<br />
made world<br />
groped for Euthorna<br />
to break her chains<br />
with sex touch<br />
and excise the weap<br />
on out her womb<br />
to avenge him<br />
self on his fat<br />
her Doogar or Oucrator<br />
who deemed him of ano<br />
maly guilty<br />
and punishable by im<br />
mortal death.<br />
Then to close the cere<br />
mony bought a bushel<br />
of incense off a Rasta<br />
and right by Chip<br />
the guitar cowboy<br />
crooning there for tips<br />
lit and wafted torch<br />
in the face of a pol<br />
ice who promp<br />
tly cited me for pub<br />
lic possession of con<br />
flagratory flame<br />
and when I spit in<br />
blunt disgust<br />
next to his shi<br />
ny shoes cited<br />
me again for that too.<br />
Another occasion I marc<br />
hed down Bleaker<br />
in imitation of Che<br />
Guevara the hat star<br />
t-shirt cigar and week<br />
of unshaven beard<br />
and bored soon<br />
bought a big beer<br />
and went int<br />
o the circle at<br />
the center of Washing<br />
ton Square to en<br />
joy my solitude.<br />
A copcar crept which<br />
I with im<br />
patience ig<br />
nored. They came a<br />
round got out de<br />
manded my I<br />
D this for<br />
bidden hour.<br />
Truculent I <em>schwieg</em><br />
(remained silent).<br />
Both the team got me<br />
on the ground and when<br />
I felt their fat hands<br />
grab the cuffs<br />
I raged<br />
and threw them off<br />
and ran<br />
away yelling too<br />
fast! Can&#8217;t Catch<br />
MEEEEEEE!<br />
Near Tomp<br />
kins it felt<br />
safe but still<br />
I sensed that West<br />
had left some piece<br />
yet to discover sur<br />
rendered to the horiz<br />
ontal fall down<br />
town those cliff<br />
like streets back<br />
to Bleaker. Love&#8217;s<br />
first sight first time eve<br />
r in my ado(*ation)<br />
lescence to consum<br />
mate my Cora<br />
my virgin four<br />
teen year<br />
old ex<br />
ploring with friends<br />
who I parted her<br />
from hand in hand<br />
to East<br />
Third and Bowery<br />
I took her<br />
fucked her<br />
but held deep<br />
within my cum.<br />
Then to Green<br />
wich Village Halloween<br />
Night I went<br />
as stoned on ludes<br />
I bought at school<br />
up on Sixty Eighth<br />
off a robot with<br />
black legs in<br />
women&#8217;s makeup.<br />
The clearest way<br />
I saw through<br />
the crowd was marching in<br />
the parade for the en<br />
tire route then returning<br />
back to Houston<br />
for another run<br />
bored sought in<br />
spiration and found<br />
the most beautiful out<br />
fit of all a man in his birth<br />
day suit at midnight<br />
on November First.<br />
I stripped and danced<br />
a witch in the demon train<br />
and boozed when crowds<br />
dispersed to bars<br />
and drunk as fuc<br />
King Hell off a several<br />
hundred dollar vodka bottle<br />
I roared<br />
literally into the night<br />
of total black out<br />
and awoke awake<br />
into the scene<br />
from Mr Tambourine Man<br />
pissing in the gutter<br />
with bums and preaching them<br />
my burgeoning philosophy.</p>


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]]></content:encoded>
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		<title>Black Rock City</title>
		<link>http://arthurleocolemaniv.com/2010/09/black-rock-city/</link>
		<comments>http://arthurleocolemaniv.com/2010/09/black-rock-city/#comments</comments>
		<pubDate>Mon, 06 Sep 2010 21:44:52 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1725</guid>
		<description><![CDATA[Souls decked
in neon green
orange pine cones
pasties and shades
float drifts para
ding in tracks
ruts of the mythical rains
to which they dance
their bodies blast kazoos
put percussive pats upon the playa
of hands drudging boots
and bicycle tires.
Bronze skins burn
in light are slathered in shade
at rest from bony contention
collecting force together
chipping in their parts
to build dream
houses husbands wives
missions paths
affirmations they are [...]]]></description>
			<content:encoded><![CDATA[<p>Souls decked<br />
in neon green<br />
orange pine cones<br />
pasties and shades<br />
float drifts para<br />
ding in tracks<br />
ruts of the mythical rains<br />
to which they dance<br />
their bodies blast kazoos<br />
put percussive pats upon the playa<br />
of hands drudging boots<br />
and bicycle tires.<br />
Bronze skins burn<br />
in light are slathered in shade<br />
at rest from bony contention<br />
collecting force together<br />
chipping in their parts<br />
to build dream<br />
houses husbands wives<br />
missions paths<br />
affirmations they are all<br />
of in from by to on out of<br />
one no one com<br />
plains or sits in shit<br />
whale size jelly<br />
fish people.<br />
The rangers station<br />
themselves around<br />
the geomancer&#8217;s compass<br />
amethyst the sky<br />
reacting in the next<br />
direction to feel now<br />
the energy go<br />
negative the ambiance<br />
and the necessity<br />
of severing the rod<br />
like chords of time<br />
from once where<br />
comforts lured<br />
a solemn stay<br />
and curtains were cats<br />
muzzling necks<br />
and sending chills<br />
showing cleavages bet<br />
ween temperatures<br />
in the thin<br />
air high ele<br />
vation expan<br />
sive lakebed of se<br />
veral thou(s)<br />
(s)and years of pre<br />
history. Jesus<br />
freaks mad<br />
artists pagan satan<br />
worshipers level eight<br />
teen wizards rap and rock<br />
stars and punks<br />
who phoned into schools<br />
threats of bombs<br />
in boys&#8217; bathrooms<br />
and absentee excuses.<br />
Their fingertips reach sky<br />
wards and nails pluck in<br />
struments to the rhythmic<br />
billowing of peace flags<br />
a glimmery afternoon of<br />
cyclic relaxation and un<br />
ion with music streaming<br />
bands over live pod<br />
cast perspectivizing<br />
naturally changes<br />
a tangential countenance<br />
seen when eyes are shut<br />
and new matches must<br />
be made of stimuli to i<br />
dentity sound to recog<br />
nition and thought to fol<br />
low guilt by association.<br />
Down giant worm<br />
holes to a swampy<br />
stygian pit bees&#8217;<br />
tragic flights falls melan<br />
choly in dry summer<br />
hopes recurrence<br />
in sweet realizations of<br />
minor climaxes Dixon&#8217;s<br />
violin merges with<br />
Bach&#8217;s bwv 5<br />
60 for strings.<br />
Cloud mountain sun<br />
set ocean currents<br />
frozen mid flow<br />
circulating too slow<br />
to discern but yes<br />
none the less<br />
the pace of lumines<br />
cence to show what<br />
is behind the frontal glare<br />
unsubstantiated saga<br />
city through visions<br />
aural and odoriferous<br />
astral unpremeditated<br />
lights into obscurity<br />
Mercury rises and ag<br />
glomerates red doom<br />
into the solar position in<br />
a system out of whack<br />
a black hole billions<br />
of superannuary years away<br />
rushing up the troposphere.<br />
Codicils count distances<br />
<em>zwischen die zwei</em><br />
twixt the two the dif<br />
ferences repeatedly<br />
numbering matter in<br />
multiplicables as well<br />
as the first and only<br />
gradation in an ascension<br />
of essence of airwater<br />
and terrene restoration.<br />
Symbolize the Metro<br />
polis in a circle rung<br />
within around a trian<br />
gular globe supported by<br />
the upraised arms<br />
of Burning Man whose<br />
heart with lightning strikes bass<br />
beats is radiated by can<br />
nons and every<br />
where cities of play<br />
grounds jungle<br />
jims and swings.<br />
Day is young and night<br />
is wizened has aged<br />
beyond recognition a<br />
forgotten unpurveyor of<br />
wisdom in control<br />
and piss rumbles<br />
water wakes<br />
beneath saintly feet<br />
and shakes awake<br />
bodies and caress<br />
later their faces.</p>


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		<title>Nomenclature&#8217;s Genesis</title>
		<link>http://arthurleocolemaniv.com/2010/09/nomenclature/</link>
		<comments>http://arthurleocolemaniv.com/2010/09/nomenclature/#comments</comments>
		<pubDate>Mon, 06 Sep 2010 18:39:22 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1715</guid>
		<description><![CDATA[Pupillary dilation
blurs into focus
hours&#8217; sacred center
Whittle down (to)
(the) zero (the)
bone (the) cap
illary nucleus
The plot line
on the story
board the rob
bers the bar
rons His Hol
Iness the Dope
the Dully Lamb
Da in an 
Alpha-bet
A-dominated order




		
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			<content:encoded><![CDATA[<p>Pupillary dilation<br />
blurs into focus<br />
hours&#8217; sacred center</p>
<p>Whittle down (to)<br />
(the) zero (the)<br />
bone (the) cap<br />
illary nucleus</p>
<p>The plot line<br />
on the story<br />
board the rob<br />
bers the bar<br />
rons His Hol<br />
Iness the Dope<br />
the Dully Lamb<br />
Da in an </p>
<p>Alpha-bet<br />
A-dominated order</p>


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		<title>Creator of Conditions</title>
		<link>http://arthurleocolemaniv.com/2010/09/creator-of-conditions/</link>
		<comments>http://arthurleocolemaniv.com/2010/09/creator-of-conditions/#comments</comments>
		<pubDate>Mon, 06 Sep 2010 18:09:30 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1706</guid>
		<description><![CDATA[Implicit agent
in the undoing
of the family
to create
the conditions for
implosion and
every error in the book
of Arthur Leo Coleman
the Fourth
the man behind the curtain
&#8217;s brain neur
ology of the psyche
effector of all karma
died on by heroes
seeking in every
furtive glance
beauteous Nar
cissus&#8217;s cold re
flection in ice
to hold
forever still
alone with me.




		
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			<content:encoded><![CDATA[<p>Implicit agent<br />
in the undoing<br />
of the family<br />
to create<br />
the conditions for<br />
implosion and<br />
every error in the book<br />
of Arthur Leo Coleman<br />
the Fourth<br />
the man behind the curtain<br />
&#8217;s brain neur<br />
ology of the psyche<br />
effector of all karma<br />
died on by heroes<br />
seeking in every<br />
furtive glance<br />
beauteous Nar<br />
cissus&#8217;s cold re<br />
flection in ice<br />
to hold<br />
forever still<br />
alone with me.</p>


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		<item>
		<title>To Vigor</title>
		<link>http://arthurleocolemaniv.com/2010/09/to-vigor/</link>
		<comments>http://arthurleocolemaniv.com/2010/09/to-vigor/#comments</comments>
		<pubDate>Mon, 06 Sep 2010 17:52:46 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1703</guid>
		<description><![CDATA[Vigor vulgarized.
Each chime snuffed.
Metal metastasized.
Who hoos?
The avuncular owl
in forests of love trysts.




		
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			<content:encoded><![CDATA[<p>Vigor vulgarized.<br />
Each chime snuffed.<br />
Metal metastasized.</p>
<p>Who hoos?<br />
The avuncular owl<br />
in forests of love trysts.</p>


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		<item>
		<title>The War(rior&#8217;s) Path(o(f)(schizoid)log(ic)y)</title>
		<link>http://arthurleocolemaniv.com/2010/08/the-warriors-pathofschizoidlogicy/</link>
		<comments>http://arthurleocolemaniv.com/2010/08/the-warriors-pathofschizoidlogicy/#comments</comments>
		<pubDate>Mon, 30 Aug 2010 17:25:22 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[fragments]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1700</guid>
		<description><![CDATA[Prepare *d(is
the war(tost
art (now(?))i
or)ness what
ever want
might as
ser tits vor
aciousmaw
Crow ded inton(atin
ghowls)o
whereby insurp
ass able opp
or tuni ties
collo cation of
fers norest ab
stract satisfac ti
on on                ly
in format ions
&#8216; anal o(r)gies of imp
er manen
(o)cean inf in it eli
fespan god-
willing vitality
Blat    [...]]]></description>
			<content:encoded><![CDATA[<p>Prepare *d(is<br />
the war(tost<br />
art (now(?))i<br />
or)ness what<br />
ever want<br />
might as<br />
ser tits vor<br />
aciousmaw</p>
<p>Crow ded inton(atin<br />
ghowls)o<br />
whereby insurp<br />
ass able opp<br />
or tuni ties<br />
collo cation of<br />
fers norest ab<br />
stract satisfac ti<br />
on on                ly<br />
in format ions<br />
&#8216; anal o(r)gies of imp<br />
er manen<br />
(o)cean inf in it eli<br />
fespan god-<br />
willing vitality</p>
<p>Blat     ant      sham<br />
e less(100000000000000000000000<br />
x0) hypo<br />
crisy in dic(t<br />
)ated super<br />
fluously to workers for $<br />
WHO(?)(&#8216;)re<br />
power<br />
less (tha none)</p>
<p>Rule is that<br />
way they say<br />
apparently with<br />
out thin King Ab(omi<br />
Nation)out the words<br />
ata ll<br />
Pro here Con there<br />
dua            lit<br />
ye(s!)x             carn<br />
ate not a sin<br />
gles tr(y)i vance<br />
to ward equili<br />
brium it does<br />
n&#8217;t ex<br />
ist its<br />
eems tho</p>
<p>Ugh the Rhet<br />
oric in<br />
stills be(ho(peal)ways)<br />
lie vers pedant<br />
icchi(()())ld<br />
ren wit/h(im(possib<br />
ilities))/ty ide<br />
a Ti on<br />
s: HOP(n)O N(ev<br />
er)THEB(m)AN DWAG ON<br />
(i)FORAB E(s)T TER(s)TOM<br />
OR ROW</p>
<p>Perfect l(ie)y new<br />
in sancti(moni(ed)ous)io<br />
ned as(ex-)pect(-ations) s<br />
LA be (l)led w(HO(?))l(y<br />
)e label s pe(ak!) e ling</p>
<p>The path o(f) logic<br />
al(mighty) cerTaint<br />
y I&#8217;<br />
mal way srig<br />
h(ooooooooooooooo)t<br />
(Ru((i-)n(-sofemp<br />
ires)) Am OK<br />
ele men/tal/ly(rig(i-)ge-d ele<br />
c   tio          ns)</p>
<p>Hin*sight surgi<br />
cally al<br />
ter(ros(e)p<br />
here) red                              e<br />
yefor an(y)<br />
eye<br />
commerc(y!)ecor(poralill<br />
ness) up<br />
tinanoli<br />
garch ical kin<br />
g(dom(in<br />
ated byty rants))<br />
oft he Blind<br />
(though the saw<br />
(hews blood)</p>


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		<item>
		<title>Amendment</title>
		<link>http://arthurleocolemaniv.com/2010/08/prayerpoem/</link>
		<comments>http://arthurleocolemaniv.com/2010/08/prayerpoem/#comments</comments>
		<pubDate>Thu, 26 Aug 2010 19:52:45 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1691</guid>
		<description><![CDATA[A son of the sun
has no concern for voices&#8217; words
except for their proximity.
To the shadow in the quiet canyon
every brush rustle and fly buzz is
another transitory companion
An emulation of Christ Who
steadfastly would not enter
the gates of heaven immediately
the right hand of God
at the end when He gazed
up where heaven ought to be
and after ruminating in [...]]]></description>
			<content:encoded><![CDATA[<p>A son of the sun<br />
has no concern for voices&#8217; words<br />
except for their proximity.<br />
To the shadow in the quiet canyon<br />
every brush rustle and fly buzz is<br />
another transitory companion</p>
<p>An emulation of Christ Who<br />
steadfastly would not enter<br />
the gates of heaven immediately<br />
the right hand of God<br />
at the end when He gazed<br />
up where heaven ought to be<br />
and after ruminating in chagrin<br />
(and now, three days?) uttered<br />
tearfully &#8220;My God! My God!&#8221;<br />
How cravenly you let<br />
your ministrants be<br />
angels to your peoples!&#8230;<br />
Wallowing in ungodly wastes of no perception<br />
of beauty as cold and in front of their faces<br />
as the ocean of the Northern Deep!&#8230;<br />
In that tumultuous marl<br />
where nonsensical systema are schematized<br />
you expect these wrecks to float?<br />
They should swim if they could but<br />
distinguish the currents&#8217; differentials!&#8230;<br />
Their intestine webs of nerves though<br />
are so convolutedly bloated and wracked<br />
by numb ruptures, throbs and fadings of pain!&#8230;</p>
<p>Free water cools<br />
his fevered entrails<br />
the fire sparked core of original magma<br />
and smoke settled dust of a billion carburetors.<br />
An unbridled Spring of floods<br />
stirs in a lunar concavity<br />
late in the dawn of Autumn<br />
to coat the whole terrarium<br />
on up to and out through ethereality.<br />
Its purple stain will linger millenia<br />
post the prophesied apocalypse<br />
graceless human demise which<br />
is every time a murder<br />
and upheaval of a moral<br />
that none can sanely deny.</p>
<p>Up on the hill a stairwell descends<br />
where cars could crash if driven<br />
in the throes of violent mania<br />
determined to destroy<br />
the speeding machine<br />
without contact killing<br />
force may render to scattered<br />
shards the glassy metal<br />
yet register not the faintest quake/wake<br />
in the most proximate undulation<br />
on this shallow cement sea<br />
whose water of rock is no<br />
conduit to transmit such shudders<br />
to and through the actual ground.</p>
<p>Misers hoard the keys of gold<br />
that gondolas need to ferry<br />
from island to mainland forbidden<br />
city Asiatic asylum<br />
complexly walled Shangri LA<br />
in two sided mirrors ninety<br />
degree symmetry worshipful beauty<br />
to the reflective beholder<br />
possessions to be shared<br />
as if copies could not be made<br />
with the real time fac-<br />
simile technology they have<br />
invented themselves stashed inside<br />
of only hearts<br />
gilded blood boxes<br />
cherished more<br />
than their vital contents<br />
*<br />
The upper rims of this bottom cup<br />
dregs imbibed with breath augmented<br />
by sight and sensation of walking through<br />
feet and standing around a dizzy boned skeleton<br />
move over rill and dale<br />
out of supplest brims<br />
through rivers overflowing with<br />
ephemeral glints of gold dust.</p>
<p>Stumble through the intermists<br />
that fill the distances with<br />
ferocious will ruthless ambition<br />
to illuminate the clefts rent<br />
by custom into obscurity and<br />
by time to forgotten mystery<br />
*<br />
Mantric prayer<br />
bead to bead<br />
rosary rust<br />
finger scraped<br />
fervent friction to get to the next<br />
beatific beginning<br />
empty hymn of praise to Za<br />
temporal target in the art of Zen<br />
sunk in every aim of isolation<br />
of any perceived hindrance to<br />
the incessant passage of change<br />
repeated jabs at rapture<br />
which come patiently a round<br />
million mantra later</p>
<p>My prayer/poem will have the stature<br />
of magic spells that work ways<br />
down paths the muses sniff out<br />
like bitches on my leashes<br />
barking through night&#8217;s silence<br />
further in the illustrious hunt<br />
and I am whipping lividly<br />
the hide of my harrowed mare<br />
urging her ever more rapidly on<br />
bootheels in her ribs<br />
to climax the suicide ride<br />
of pitch dark past which not even I<br />
can see past ahead to where<br />
the megamouth abyss is screaming<br />
Sirens for me to leap<br />
in ascend and inevitably plunge<br />
breathless the both of us<br />
as we together stare and fall<br />
*<br />
Unending novenas cubed Hail!<br />
the holy queen hot horny lady<br />
bearing witness to our nine<br />
mooned generation&#8217;s epoch<br />
a global warming climate rife<br />
with overpopulation and<br />
loomed with the threat of nuclear<br />
obliteration on such a scale<br />
as would disrupt even the equa-<br />
nimity of the benevolent divine<br />
zoned out and stoned on bliss</p>
<p>Change has shifted these surroundings<br />
from out of what they were<br />
when each time a part of<br />
a me of which I am no more<br />
master of airiest depths<br />
and wettest breaths through gills<br />
learned to convey a lesson<br />
on surpassing challenges<br />
and adapting to the breeze of liberation<br />
through the stream of consciousness.<br />
I a dog have sniffed and<br />
shat wherever I squatted<br />
marked my spot and left<br />
legacies to the pure of spirit<br />
of beneficence and good</p>
<p>But to the tortured agitators<br />
who rule now out of fear<br />
ghosts in every corner<br />
stooping beneath some tabletop<br />
or behind a Turkish curtain<br />
mosaic of Vlad the Impaler<br />
at his most bloodthirsty unflattering<br />
shadows to keep out the cold<br />
wafting through stone castle walls<br />
to come alive in the after-<br />
math of the extinguishment<br />
the final flaming candle<br />
dreams of feather-down flight<br />
omens which the soothsayers<br />
are too few to internalize<br />
and attend to every one<br />
of the sovereign&#8217;s minions<br />
the ideal happiness in culture<br />
amendment to society<br />
*<br />
While the march of percussion<br />
anthems terror patriotizes ego<br />
I have at the same time heard<br />
flutings in a high-pitched tone<br />
which no matter where I<br />
direct my ears cannot locate<br />
whistles in their inner silences<br />
and succeeding nights dreamed<br />
the consequence of following day<br />
mimetic reaction to wanting<br />
to shine as well as to hide<br />
with self delusive resolve<br />
to withstand the paranoia<br />
inherent in all novelty<br />
untrusted to the death<br />
which only martyrs<br />
samurai and poets in their bloom<br />
have gone like babies<br />
into the arms of loving mother<br />
the sex of fucking lover<br />
and emerged rejuvenated<br />
younger again Amen</p>


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		<title>A Flaw of Mine</title>
		<link>http://arthurleocolemaniv.com/2010/08/acknowledgment-of-a-flaw-of-mine/</link>
		<comments>http://arthurleocolemaniv.com/2010/08/acknowledgment-of-a-flaw-of-mine/#comments</comments>
		<pubDate>Mon, 23 Aug 2010 01:14:55 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/?p=1686</guid>
		<description><![CDATA[I push
and when I can
push no more
I succumb
to fear
the mes out
there are coming
though there
impels nothing
as far ahead as
I have pushed
and am
lost in a well
known way.




		
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			Share this [...]]]></description>
			<content:encoded><![CDATA[<p>I push</p>
<p>and when I can<br />
push no more</p>
<p>I succumb<br />
to fear</p>
<p>the mes out<br />
there are coming</p>
<p>though there<br />
impels nothing</p>
<p>as far ahead as<br />
I have pushed</p>
<p>and am</p>
<p>lost in a well<br />
known way.</p>


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		<title></title>
		<link>http://arthurleocolemaniv.com/2010/08/1678/</link>
		<comments>http://arthurleocolemaniv.com/2010/08/1678/#comments</comments>
		<pubDate>Sun, 22 Aug 2010 21:18:05 +0000</pubDate>
		<dc:creator>Arthur Coleman</dc:creator>
				<category><![CDATA[haiku]]></category>

		<guid isPermaLink="false">http://arthurleocolemaniv.com/2010/08/1678/</guid>
		<description><![CDATA[He said to say all
that I do. &#8220;He touches me,&#8221;
she whispers, shivers.
***
Gorges of swallows
Hunger suckling worms out their
Slimy mother&#8217;s mouth
***
A bird alights on
the dip of a gust of wind
perches and settles.
***
Long blinks follow the
images that the eyes cut
to conclusions dreamed.
***
Sleek kneed Johnny Needs
mo o the sof stuff ta git
n lay down the funk.
***
Metrical scansion
Poetic binary [...]]]></description>
			<content:encoded><![CDATA[<p>He said to say all</p>
<p>that I do. &#8220;He touches me,&#8221;</p>
<p>she whispers, shivers.</p>
<p>***</p>
<p>Gorges of swallows</p>
<p>Hunger suckling worms out their</p>
<p>Slimy mother&#8217;s mouth</p>
<p>***</p>
<p>A bird alights on</p>
<p>the dip of a gust of wind</p>
<p>perches and settles.</p>
<p>***</p>
<p>Long blinks follow the</p>
<p>images that the eyes cut</p>
<p>to conclusions dreamed.</p>
<p>***</p>
<p>Sleek kneed Johnny Needs</p>
<p>mo o the sof stuff ta git</p>
<p>n lay down the funk.</p>
<p>***</p>
<p>Metrical scansion</p>
<p>Poetic binary code</p>
<p>Dots a music scale</p>
<p>***</p>
<p>Future transmissions</p>
<p>referenced to the past predict</p>
<p>mnemonic device.</p>
<p>***</p>
<p>Instantaneous</p>
<p>message: Get away before</p>
<p>even happening.</p>


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